FASOLAMIX

This web app is a simplified version of the iOS app. For more features, including tempo and pitch controls, and to support the production of additional recordings, please consider purchasing the app from the App Store. See the app in action on YouTube.

If you would like to make a donation to help make additional recordings a reality, please use the button below to donate via PayPal or contact us at contact us at info@fasolamix.com.

FaSoLaMix is designed to be used with an open Sacred Harp book in your lap; order one here. Additional information about Sacred Harp singing and tradition can be found at fasola.org.

CREDITS

All songs from The Sacred Harp, 1991 "Denson" Revision, used by permission of its publisher, the Sacred Harp Publishing Company, Inc., Carrollton, GA.

All recordings made at Liberty Baptist Church, Henagar, Alabama.

Mark Godfrey - developer
Matt Hinton - designer, audio recording
Matt Goldman - audio engineering, mixing, mastering

Source code borrowed heavily from on the "Web Audio Loop Mixer" by Middle Ear Media.

Singers: Syble Adams, Cassie Allen, Hayden Arp, Lauren Bock, Judy Caudle, Danny Creel, Amber Davis, Jeannette DePoy, Scott DePoy, Alex Forsyth, Dennis George, Ricky Harcrow, Susan Harcrow, Bridgett Hill-Kennedy, David Ivey, Karen Ivey, Kelsey Ivey, Loyd Ivey, Richard Ivey, Rodney Ivey, Scott Ivey, Tony Ivey, Lillian Ann Jett, Jesse Karlsberg, Margaret Keeton, Nathan Rees, Linda Sides, Blake Sisemore, Jonathon Smith, Elene Stovall, Cindy Tanner, Ed Thacker, Nicholas Thompson, Allison Whitener, Kathy Williams, Jamey Wootten, Jared Wootten, Marlon Wootten, Marty Wootten, Shane Wootten, Terry Wootten

Special thanks to the Sacred Harp Publishing Company, Shane Wootten, Rodney Ivey, Nathan Rees, Jesse Karlsberg, Lauren Bock, and our families: Erica, Anna, Eli, and Lottie Hinton, Leigh Cooper, Cecil and Leon Godfrey. Thanks also to Liberty Church. And thanks to you for using the app!

DISCLAIMER

This app is not intended to be a "perfect" representation of Sacred Harp singing with regard to pitch, tempo, nor "performance". Instead, it is intended to reflect dimly what actual Sacred Harp singing is, warts and all. In other words, it is meant to sound approximately like sitting down between a couple of experienced singers at a Sacred Harp singing - not like a concert or a recording session. Some of the songs are faster or slower and pitched higher or lower than is typical at a singing in Alabama, where these recordings were made. The only way to find out how things are done in Alabama (if you are curious) is to go there. Multiple times.